This past weekend marked the anniversary of the start of the Meuse-Argonne campaign, which would continue on through the end of the war in November 1918. The American Battle Monument Commission just published this video that captures the essence of what it was all about. I cannot emphasize the quality of the work the ABMC has been doing during the Centennial, though that is no surprise given the organization’s rich history and institutional memory.
In 1927 Al Jolson appeared in The Jazz Singer, Louis Armstrong recorded “Potato Head Blues,” and Babe Ruth and Lou Gehrig combined for 107 home runs. The Great War was over for almost a decade and life was seemingly returning to normal. That August President Calvin Coolidge traveled to South Dakota to speak at the groundbreaking of Mount Rushmore. As if channeling his inner Roosevelt, the staid Coolidge rode up the mountain on horseback. Curiously–perhaps in a nod to recent Franco-American relations?–a choir sang “The Marseillaise” in addition to “The Star Spangled Banner” and other patriotic tunes.
Rushmore literally put Theodore Roosevelt on the same level with Washington, Lincoln, and Jefferson, and the monument was a big win for Roosevelt supporters. The RMA had lost a protracted battle for a Roosevelt memorial on the National Mall just a year earlier. The spot Hermann Hagedorn and others coveted eventually went to the Jefferson Memorial.
Ironically, Mount Rushmore has skewed our perceptions of the 26th president. When many people think “Theodore Roosevelt” they think of the West. Being depicted on a granite slab in the Black Hills will do that. Still it is important to keep in mind that, while Roosevelt spent chunks of time hunting and ranching out West, he was a city slicker first and foremost. Indeed he was the only president born in Manhattan, and it was to New York City and Long Island that he returned over and over across the course of his life.
(image/National Park Service)
I took this photograph of the Great War Memorial a few months back. It was restored a few years ago and looks fabulous. As you can tell by the image however, it does not get too much pedestrian traffic. That it is a tad off the beaten path explains part of it. Still, that can’t be the whole reason. It is less remote than it was even just three years ago when the Martin Luther King, Jr. Memorial was built; one walks through this general area when passing from the Mall to the MLK statue or vice versa. Even with the extra foot traffic, people do not seem inclined to stop and look. Maybe that will change during the Centennial.
I met historian Mark Levitch at the World War One Centennial Commission Trade Show in June. Since then I have contributed a few memorials to his World War I Memorial Inventory Project with a few more in the hopper. Earlier this week Mark was interviewed by CBS News about the project. Check out the video here.
I just got home from the Apple store in SOHO where I took an iPhoto workshop to brush up on my picture taking skills. I did this because at the World War I Centennial Commission trade show last weekend I agreed to participate in The World War I Memorial Inventory Project. The goal of project director Mark Levitch is to photograph and document 10,000 monuments to the Great War spread across the United States. Many are hiding in plain site.
As after the Civil War, the process of memorialization began almost immediately. Nations, states, and small towns around the globe built monuments in the 1920 and 1930s. What these all had in common is that every protagonist believed it had justice and righteousness on its side. This should not be surprising given the incredible human, financial, and material sacrifices they made. Who wants to think they sacrificed for nothing?
I intend to start off with the many World War I monuments on Governors Island. As I noted a few weeks ago there are many sprinkled across the island’s 172 acres. My goal is to do fifty, mostly in New York, over the next five years. I am not going to do the ones on New York City parks because the Parks Department has already done extensive documentation on these already. There are many in post offices, botanical gardens, and places like that. Often they are hiding in plain site.
I will not post the same images here on the Strawfoot that I submit to the inventory project, but occasionally I will take photos of the same subjects and share them here. I cannot tell you how excited I am about this.
(image/tablet for Lieutenant James Andes on Governors Island)
Yesterday I attended the WW1 Centennial Commission Trade Show. I met a lot of people who are doing some interesting things for the commemoration of the Great War. Here are a few pics from the show.
The trade show brought together museum officials, authors, and others to discuss their projects for the Centennial. Jones Day, theWashington white shoe law firm, hosted the event.
The acting chairman of the Commission spoke first and discussed the group’s strategic plan. They have obviously put a great deal of thought and energy into the enterprise. He and the other commissioners are all volunteers.
Before the trade show presentations there was a fifteen minute musical interlude by Benjamin Sears and Bradford Conner. They set a nice tone for the afternoon.
Sergeant York’s son (black shirt and glasses on right) was there with his own son and granddaughter (seated to his left).
Here are a few of the exhibits. As with the Civil War Sesquicentennial, the Great War Centennial will incorporate the changes that have taken place in historiographically in recent decades.
This is a sampling of some of the literature I gathered. I do not want to give away too much right now but I spoke to various folks about working on some projects over the next 4-5 years. I think the next few years will be fun and productive in a number of ways.
When in Washington over spring break the Hayfoot and I went to Roosevelt Island. This out-of-the-way site is something most tourists never see, which is understandable given that it is a little difficult to get to. Still, as the crow flies it is only a mile or so from the Lincoln Memorial. Roosevelt Island rests in the Potomac River and can be reached from the Roslyn stop on the Blue Line. The Iwo Jima statue is at the same stop but we missed that this time around.
Look closely through the trees and you can see the skyscrapers of Arlington, Virginia from the island. Landscape architecture is fascinating because the designer must be thinking decades down the line as to what his creation will look like when the trees and foliage fully mature.
One of Roosevelt Island’s charms is its tranquility so close to the Greater DC sprawl. The degree of difficulty in reaching the island is intentional. The planners wanted people to visit but also intended it to be a refuge. Believe me, you have to want to get here. Again, this is just a long toss from the Lincoln Memorial and the other sites on the Mall.
It may seem like pristine nature, but the island and memorial were a planned environment built by the Roosevelt Memorial Association in the 1930s. The RMA purchased the island from the Washington Gas Light Company for $364,000 and donated it to the American people in 1932.
Paul Manship designed the statue. It is more severe in photos than in person. The surrounding tress soften the subject’s commanding size and pose. Frederick Law Olmsted Jr. created the ninety acre island’s landscaping.
The statue came several decades after the memorialization of the island itself. The Depression, World War II, and other issues took precedence over the statue’s creation. Lyndon Johnson dedicated the statue on 27 October 1967 with Alice Roosevelt Longworth in attendance.
This monolith is one of four. Each notes an attribute considered important by Theodore Roosevelt.
Our only mistake was not bringing lunch. I have a feeling we’ll be back come summer.
(LBJ and Alive Roosevelt Longworth image from Theodore Roosevelt Digital Library. Dickinson State University)
I was at the Metropolitan Museum of Art’s Watson Library doing some research today when I passed this display case.
I did a double-take when I noticed this image of none other than Dwight Eisenhower himself. This is he and Mamie walking down the Met Museum steps familiar to New Yorkers for generations.
The date was 2 April 1946. That day the Met made Eisenhower an Honorary Fellow for Life for his role in saving European artworks during the Second World War. This is the first page of the address he gave that April day:
Here is the order he gave in May 1944, just a few weeks before D-Day. It is revealing that he would issue such an order even before the Normandy Invasion. He always said there was no contingency for failure. Thus, there were preparations for saving artworks even before a beachhead had been secured. Think about it.
Here are Eisenhower, Patton, and Bradley. The photo was taken by a U.S. Army lieutenant in a German salt mine on 12 April 1945, a month before the war ended and a year before Ike spoke at the Met.
In a nice touch, the museum has a gallery itinerary in which one cane find artworks now in the Met that were saved by the Monuments Men. I had seen a few of these a number of times over the years without knowing their provenance.
Here is one of those works.
The painting was donated to the Met in 1964, half a century ago and only nineteen years after the war’s end.
(images/Ike et al, National Archives; Guardroom, Metropolitan Museum of Art)