I recently began researching a small piece for the World War I Centennial Commission social media page when I came across these remarkable photographs taken during the 1939-1940 New York World’s Fair. If you do the math you will note that we are currently in the middle of the fair’s 75th anniversary. It was a fascinating historical moment because the Depression was finally starting to lift, while at the same time the clouds of war were gathering in Europe. The fair began on April 30 and the German invasion of Poland was on September 1. Needless to say, these and other events wreaked havoc on the fair and its hope for a batter world of tomorrow. The Second World War also had immediate concerns for event planners from the dozens of participating nations. For instance, which constituency would represent this or that recently conquered nation in the fair’s pavilions? Would it be the resistance leaders or the representatives of the new regime? Or neither? Perhaps a country’s organizers would be better off shutting down their nation’s pavilion and washing one’s hands of the entire matter. How does one celebrate knowing the news of such death and destruction back home? These are the issues they dealt with.
The photos here are of American Civil War veterans at the fair. I wish I could date the images more precisely but as of yet cannot. I hope to do more with this in the future. In some cursory digging I discovered that Civil War veterans went to the 1939-1940 World’s Fair on several occasions. Helen D. Longstreet, Pete Longstreet’s widow, was at the fair at least twice. In June 1939 she was there to dedicate an exhibit of Confederate artifacts at the Florida Pavilion. A month later–on 2 July 1939, the 76th anniversary of the second day’s fighting at Gettysburg–she appeared again. Her appearance came one year after Franklin Delano Roosevelt spoke at the unveiling of the Peace Light Memorial.
The very week the Germans and Soviets were dividing Poland Civil War vets inspected the tanks of the Seventh Cavalry Brigade at the fairgrounds in Queens. Again, it is not clear when these photographs were taken. The one of the soldiers standing in front of the Lincoln statue says it was taken on Lincoln’s Birthday. The heavy coats would seem to corroborate that. I would guess the photograph was taken in 1940 but it could have been 1939 when the final touches were being made in preparation for the opening that spring. Note the photo of Robert E. Lee. This was quite consciously a reconciliationist effort on the part of the organizers.
A young girl admires the medals of a Civil War veteran. One can imagine that Americans found comfort in the presence of these aging soldiers as war was getting underway yet again. The Second World War’s role in the reconciliation process is often overlooked.
Here are our friends in blue and grey yet again. I am not sure of the building in front of which they are standing.
This past August I took this photo of the rear of the New York City Building. This is today the Queens Museum of Art.
Here is a mosaic commemorating the fair. This area today is Flushing Meadows–Corona Park. I took these two photos on my way to a Mets game.
(images of Civil War veterans, NYPL)
I wrote the post below last summer. This morning, as I often do on Sunday mornings on my way to Governors Island, I stopped in to this church for a few minutes. It is a quiet respite from the city and a place to gather one’s thoughts before the day gets underway. I noticed there were a larger number of flowers spread about. It turns out that today is the anniversary of 1975 canonization of Saint Elizabeth Ann Seton. One of the most intriguing things about Lower Manhattan, at least to me, is its juxtaposition of the old, often very old, and the new. Judging by the photograph in the previous post, one could be forgiven for not grasping this. In the midst of all those skyscrapers, however, right there on tip in fact, is the St. Elizabeth Seton Shrine. From afar one cannot see it amidst the much taller buildings, but it is there. Here it is close up, as I took it last week. The skyscrapers are clearly visible behind it. All of this is right across the street from the Staten Island ferry.
Saint Elizabeth was beatified by Pope John XXIII in 1963 and canonized in 1975. In fact, she was the first native born American so designated. Seton was born Elizabeth Ann Bailey in New York CIty in 1774 just prior to the American Revolution. Her family bounced around a great deal during and after the war, living in Pelham, Staten Island, and in different spots in Lower Manhattan. At one time they lived next to Alexander Hamilton at 27 Wall Street. (Hamilton is buried in nearby Trinity Church, in an unmarked grave. ) She and her husband even fêted George Washington, on his sixty-fifth birthday no less. Legend has it that the structure above may have been a stop on the Underground Railroad, though evidence proving so has not surfaced. It was used for the Union War effort during the Civil War. Here is the plaque on the exterior wall. Many of these buildings were torn down in the mid-twentieth century to make way for office space. That is New York City for you. Here are a few more details.
The story is more detailed than I am writing here, but Elizabeth ended up converting to Catholicism, moving to Maryland, and founding the Sisters of Charity of St. Joseph’s in Emmistburg in 1809 . She died there in 1824. Those who know their Gettysburg Campaign may know where I am going with this. The First and Eleventh Corps both passed through Emmitsburg hurrying on their way to the battle. The Sisters of Charity, with other locals, gave assistance to the Army of the Potomac in the form of food, rest, and information about the surrounding area. Here is the view of the terrain.
One of the most touching vignettes about the Battle of Gettysburg is the death of General John Reynolds. Reynolds of course died on July 1st, killed instantly by a bullet to the head. Unbeknownst to his family until just after his death, Reynolds was secretly engaged to a woman named Kate Hewitt. He was even wearing something like an engagement ring, engraved “Dear Kate”, when he died. After his death, Kate Hewitt joined the Sisters of Charity in Emmitsburg but disappeared mysteriously three years after the war. The Hayfoot and I had wanted to stop here for several years and finally did this past June during the 150th anniversary of the Gettysburg Campaign. Gettysburg itself is about 6-8 miles up the road. It is an incredible story on so many levels.
(St. Joseph’s College image/Mike Rakoski, NPS)
In 1927 Al Jolson appeared in The Jazz Singer, Louis Armstrong recorded “Potato Head Blues,” and Babe Ruth and Lou Gehrig combined for 107 home runs. The Great War was over for almost a decade and life was seemingly returning to normal. That August President Calvin Coolidge traveled to South Dakota to speak at the groundbreaking of Mount Rushmore. As if channeling his inner Roosevelt, the staid Coolidge rode up the mountain on horseback. Curiously–perhaps in a nod to recent Franco-American relations?–a choir sang “The Marseillaise” in addition to “The Star Spangled Banner” and other patriotic tunes.
Rushmore literally put Theodore Roosevelt on the same level with Washington, Lincoln, and Jefferson, and the monument was a big win for Roosevelt supporters. The RMA had lost a protracted battle for a Roosevelt memorial on the National Mall just a year earlier. The spot Hermann Hagedorn and others coveted eventually went to the Jefferson Memorial.
Ironically, Mount Rushmore has skewed our perceptions of the 26th president. When many people think “Theodore Roosevelt” they think of the West. Being depicted on a granite slab in the Black Hills will do that. Still it is important to keep in mind that, while Roosevelt spent chunks of time hunting and ranching out West, he was a city slicker first and foremost. Indeed he was the only president born in Manhattan, and it was to New York City and Long Island that he returned over and over across the course of his life.
(image/National Park Service)
This past Friday I was leaving Castle Williams after doing a tour when I noticed an art installation to the immediate left. It turned out to be “Framing New York.” After a few minutes enjoying the view of the Harbor and Lower Manhattan, I struck up a conversation with the artist, D. Chase Angier. She graciously agreed to answer a few questions.
The Strawfoot: Where did you get the inspiration for “Framing New York?”
D. Chase Angier: From New York itself – the rapid rate in which it changes, its history, beauty, art, and stories. I have a deep love for this city as many of us do who have either grown up here, transplanted here, or even just visit.
Inspiration for this project came from my complicated love for New York City coupled with my deepening concern for our future. What is New York City today and how does that reflect who we are and where we are headed?
One of the elements that makes New York City unique is the unusually rapid rate at which it is changing. The rate of change coupled with the extreme density of buildings and people living in New York, creates an intense energy that is distinctive. “Framing New York” asks the audience to pay attention together to one select place in New York City at a particular time.
How would you describe your approach to your art?
I have many different approaches to art but if I need to reduce it down to one thing, I am a site specific choreographer.
Tell us a little bit about your background?
I received my BA in Dance from UCLA and my MFA in Choreography from The Ohio State University. Basically, I am an interdisciplinary artist who specializes is site specific choreography. I am a dance professor and director of the dance program at Alfred University. I also create and perform site-specific performances, performance installations, dance-theater, and walking performances. My works have been performed internationally in Japan, the Czech Republic, Germany, Mexico, the United Kingdom and throughout the different regions of the United States.
What other “Framing” projects, if any, have you done in the past?
I framed Edgewood Farms, owned by Harold and Beverly Snyder in Alfred, New York. That was different in that it was a one time 2.5 hour event. The audience watched him hay his field. I placed ten matching white Adirondack chairs in front of the white frame for the small invited audience. The audience had to remain small and invited, in fact, because they were put on call to view this work. Certain weather conditions had to work together (wind, temp, humidity) to make it possible to hay on a particular day.
The frame captured the shapes of the tall grass contrasting the cut hay, the tubular windrows, and the spiral “floor” patterns on the field. The lighting for the work was the sometimes indirect sunlight that filtered through the clouds creating interesting moving shadows, and the sometimes direct sunlight that not only brought out the gold color and the smell of the hay but also created the heat which added to the sensory experience. All of this activity happened against the beauty of the subtly changing landscape – the clouds, birds, cows, and hills.
Framing Edgewood Farms was the first in a series: http://www.angierperformanceworks.com/index.php/projects/framing-series
Had you spent time on Governors Island previously?
Yes. I have been going almost every summer since it reopened. My favorite experience was the three day New Island Festival in 2009 with the Dutch. I enjoyed the art work, lectures, parties. It was three days of incredible madness.
You mentioned in our conversation that the New York skyline changes depending on the weather, time of day, and other circumstances. Explain.
Every day is dramatically different. The clouds, light, temperature, water traffic, people walking/biking by. The shadows crawling up the buildings – or no shadows at all on a cloudy day. How the light and sky reflect on the mirrored buildings, making some of them look as it they are disappearing. The dramatic dark thunder clouds versus a hazy hot light day. The color of many of the buildings change. The events change – Obama coming to NYC and landing close to Pier 11 as his military helicopters through the frame; the fireboat shooting out water the next day; the lack of people in the frame during the week on a rainy day, versus the crazy amount of people on the weekends.
In addition to the light, color and sky – I have been fascinated by the choreography of the harbor. The different shapes, tempos, directions, rhythms, colors, size, levels, of all of the various boats. Tall ships, clipper ships, kayaks, repetitive orange staten island ferry, circle line, garbage boats, tug boats, oil tankers, jet skies, shark motor boats, cruise ships, etc.
It is a participatory artwork in which people can sit in the chairs and watch the harbor and skyline.
What has the public’s reaction been?
So far extremely positive. My favorite part about New Yorkers is that they like to talk to strangers (me) and they like to tell stories. I had heard a lot of stories about 9/11 as they look and no longer see the twin towers. Firemen, construction workers, lawyers, financial analysts etc. Tourists have been moved as they are seeing the city live from a great perspective (across the water) that they have only seen in movies and photos. Skeptics, teenagers, and people not exposed to a lot of art have used the word “actually” a lot, as in “I actually like this”, “This is actually cool”, etc.
For how long can visitors see “Framing New York?”
Through July 27th
Here is a small interesting something. I was searching another matter in the Historical New York Times earlier today when I came across the article excerpted here.
A quick search revealed that “Congressman Cox” was Samuel Sullivan Cox, a Tammany Democrat who represented the 6th U.S. District. Sullivan was originally from Ohio and as a Buckeye Congressman railed against Lincoln in a June 1862 speech entitled “Emancipation and Its Results–Is Ohio to be Africanized?” It is no wonder he eventually moved to Gotham and settled into machine politics.
The president mentioned is Grover Cleveland for whom Cox had served as Minister to Turkey in 1885-86. I am not sure how far Sullivan’s proposition turning Governors Island over to the New York State went, but it did not happen. (Quick history lesson: The Empire State turned Governors Island over to the Feds in 1800 when the Napoleonic Wars made European invasion of New York increasingly likely. In that decade Fort Jay was remodeled and Castle WIlliams built.)
Still, his vision for the island turned out to be prescient. It took 125 years but the Federal government returned Governors Island in 2003. Now it is jointly managed by the NPS and NYC. I saw in his obituary that Cox is buried in Green-Wood Cemetery and that there is a statue of him in Tompkins Square. Over the summer I am going to have to search these out.
It was a special night tonight when the Library Association of CUNY (LACUNY) held its 75th anniversary party in Manhattan. I love being a librarian within CUNY and feeding off the energy of our students. Many library faculty are dynamic individuals working on some fascinating projects. The keynote speaker was Kenneth Jackson, the Columbia University historian who also once ran and turned around the New-York Historical Society. He was at the Roosevelt Birthplace a few weeks ago, although I missed him and his students by about a half hour. The rangers spoke about what a good guy he was.
One my favorite projects of his was the museum retrospective a few years ago that helped rehabilitate he reputation of Robert Moses. He spoke tonight about the sociology of cities with an emphasis on what makes New York a unique place. I was so glad they got him for the keynote talk.
This morning I received the final details of the upcoming WW1 Centennial Commission trade show. About sixty individuals and organizations rsvp’ed. I am looking forward to the presentations and hearing what people have planned for the next 4-5 years. I know I myself intend to do a fair amount with the Great War Centennial between now and the 100th anniversary of the Versailles Conference.
It is hard to believe the New York History conference in Cooperstown was a full year ago. Alas I could not attend the 2014 NYSHA conference at Marist College in Poughkeepsie, as either a speaker or attendee. Tomorrow, however, I will be tuning in to a webinar coming from the nearby Henry A.Wallace Visitor Center at the FDR Presidential Library and Museum in Hyde Park. The panelists will be discussing Imperiled Promise: The State of History in the National Park Service, the 2011 report from the Organization of American Historians analyzing the state of public history within the NPS. I have read the report and its while it lauds some NPS successes it also highlights where there might be improvement.
Tomorrow’s panel begins at 9:00 am and will focus on history at NPS sites within New York State. This is going to be an informative and lively event.