Yearly Archives: 2011

The real Treme

06 Wednesday Jul 2011

Posted by in Jazz

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Because we do not have a television in our home, my wife and I get our movies and tv shows through Netflix.  Usually we watch a full season of a particular show, mixing in a movie or two between dvds of whatever series we happen to be caught up in at the moment.  Most recently it has been Treme, David Simon and Eric Overmyer’s drama about post-Katrina New Orleans.  For those who have never seen the show, here is an excerpt:

Wanting to know more about the Treme neighborhood, I ordered journalist Lolis Eric Elie and filmmaker Dawn Logsdon’s documentary Faubourg Treme: The Untold Story of Black New Orleans.  The Hayfoot and I watched it last night and I cannot recommend it highly enough.  The film depicts the crisis caused by the hurricane while exploring the history of the community going back to the eighteenth century.  I had always known of course about the Crescent City’s jazz heritage; I was aware, too, that the Plessy vs. Ferguson case originated on a New Orleans railroad car.  I had never grasped the city’s full role in the nation’s history, however, until seeing this intelligent, unflinching paean to one of the world’s great cities.

The Great Dismal Swamp

05 Tuesday Jul 2011

Posted by in National Park Service

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The oppressive heat, venomous serpents and boot-snatching muck that made the Great Dismal Swamp a barrier to European settlement ever since colonial times also made it a haven for thousands of people escaping slavery before the Civil War.

This fall, a permanent exhibition will open to provide some detail about those lives, part of an expanding effort by the National Park Service and other agencies to recast the experience of pre-war slaves. Scholars are using sites like the Great Dismal Swamp, straddling the line between North Carolina and Virginia, to highlight a little-known side of history, in which the freedom trail for slaves didn’t always run to the north.

Show me the money

01 Friday Jul 2011

Posted by in Uncategorized

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Yours truly has been collecting Civil War revenue stamps for a few years now.  Coins and stamps have always fascinated me because of their tangibility.  The people using them at the time had no way to know that these items would someday be part of history.  They were just the accoutrements of everyday life and commerce, used in the types of transactions we all conduct each day without thinking about them.  Thus a coin, stamp, or bill from an earlier era is a connection to the past in a genuine and understandable way, giving us a real connection to the people who once used them.  And why do we study history if not for that?

(Beinecke Rare Book & Manuscript Library, Yale University)

(Library of Congress Prints and Photographs division)

Songcatching

30 Thursday Jun 2011

Posted by in Film, Sound, & Photography

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Ethnomusicology is a fascinating subject, and nowhere more so than when it comes to the music of African-Americans.  During the New Deal researchers recorded the oral histories and music of former slaves who were by then in their eighties and nineties.  Most famous, of course, was the work of Alan Lomax, who worked with Zora Neale Hurston among others to record and document this soon-to-be-gone-forever piece of American history and folklore.  Graduate student Bob Hester spent a year tracking down the roots of a half dozen slave songs.  The tale goes from South Carolina to Augusta, Georgia with the help of a soldier from Brooklyn.

The Handbook

28 Tuesday Jun 2011

Posted by in Civil War sesquicentennial, National Park Service

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(Courtesy: National Park Service)

Last week in the Antietam bookstore I bought my copy of The Civil War Remembered, the National Park Service’s official handbook for the sesquicentennial.  This slim (176 page) tome punches above its weight, with an introduction by James McPherson and fifteen essays by some of the leading scholars of today.  Essayists include Edward Ayers on America in the 1850s and early 1860s, Drew Gilpin Faust on death and dying, Allen Guelzo on Emancipation, Carol Reardon on military strategy, and Jean Baker on the war’s civilian toll.  Though many readers will already be aware of the ideas expressed by at least some of the authors, the monograph covers much ground and will provide something new for everyone.  If a person were to read the fifteen essays offered here and nothing else, she would have a firm overview of current trends in Civil War historiography.  It is loaded with photographs and art work as well.  After each essay is a comprehensive list of Park sites related to the subject.  Yours truly has been stuffing it in his bag and reading an essay each morning during his daily commute.  (Reading while commuting is one of the fringe benefits of being a New Yorker.)  The book is not available through online booksellers, but can be found at battlefield parks or online from Eastern National.