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Monthly Archives: July 2013

Bon weekend

12 Friday Jul 2013

Posted by Keith Muchowski in Museums

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Angola (LA) prison tower similar to one recently donated to Smithsonian

Angola tower similar to one donated to Smithsonian

Hey all, I am typing this from a Dunkin Donuts in the DC area. It has been raining hard the past 24 hours, which has cooled things down nicely. It is still up n the air, but it looks like some friends and I may be squeezing in a quick trip to Antietam this weekend. I wanted to give those who live in the New York City area the heads-up that next Saturday, July 20th, the Brooklyn Museum of Art will be hosting a program in cooperation with the Smithsonian’s National Museum of African American History and Culture. When I was in DC a few months back I noted that the African American museum on the Mall is progressing smoothly; the building itself will open in 2015 and the staff is energetically collecting materials in the meantime. Just last week they acquired one of the guard towers from Angola (Louisiana) prison. To put it mildly, the tower will offer some unique interpretive opportunities.

The Smithsonian is coming to our fine borough next week to offer New Yorkers the opportunity to have Smithsonian appraisers examine their personal items. It is the latest in the museum’s “Save Our African American Treasures: A National Collections Initiative of Discovery and Preservation” series being held across the country. The event itself will last from 11:00-5:30. Don’t be surprised if you run into yours truly. The items brought in for consultation should be interesting and disparate. Brooklyn has not only a significant African American community, but sizable African and Afro-Caribbean communities as well. I am looking forward to seeing what comes through the door. The Brooklyn Museum itself is one of the great cultural institutions in New York; I have always maintained that if it were in Manhattan it would be widely recognized as one of the best museums in the nation. Whatever you do, have a good weekend.

(image/Lee Honeycutt)

Headstones project reaches brick wall

10 Wednesday Jul 2013

Posted by Keith Muchowski in Monuments and Statuary

≈ 3 Comments

One of the new headstones at Brooklyn's Green-Wood Cemetery

One of the new headstones at Brooklyn’s Green-Wood Cemetery

A strange story came to my attention today via the New York Daily News. Regular followers of the blog know how much Brooklyn’s Green-Wood’s Cemetery means to me, so much so that my wife knows to lay me there to rest when it’s time for my just reward. Green-Wood has many natural, historical, and cultural charms. Like all cemeteries–as opposed to graveyards–it is, paradoxically, a living place. One of the signs of life over the last decade has been the hundreds of Civil War headstones that have gone up in that time. The process takes place with volunteers, working with the cemetery historian, going through old military, pension, and burial records to ascertain the soldiers now resting there. It seems the Department of Veterans Affairs has instituted a rule change that only family can request headstones for loved ones. Needless to say, this will put a damper on the project; demographic changes over the last century and a half have taken many Brooklynites away from the borough. It is difficult to believe many will come forward to identify an ancestor who wore the Grey or Blue. Yes, there are a handful of Confederates buries in Green-Wood.

I really do not know a whole lot about the situation at the moment. My guess is that it is a budget thing. I know the VA has been very busy the past decade and more. Iraq. Afghanistan. Aging WW2 and now Korean and Vietnam vets. The agency has had its hands full. Still, it would seem a shame if this project, not just in Green-Wood but at similar places across the country, were to end. If anyone know more about this please feel free to enlighten us.

Hot streets, Cool exhibits

08 Monday Jul 2013

Posted by Keith Muchowski in Film, Sound, & Photography, Museums

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If you are going to be in the Big Apple over the summer, you owe it to yourself to see the Civil War art and photography exhibits at the Met Museum. You will literally see the war in a new way. The best way to see them, if possible, is to come on different days; these are separate, distinct exhibits and each has so much to see you will be exhausted when leaving the gallery. Intellectually, we all know the importance photography played in public consciousness and opinion, especially when the first photographs were displayed at the Brady studio in Manhattan shortly after Antietam. Emotionally, the Met does a good job of capturing that shock of the new. If you cannot make it, here is a piece CBS ran yesterday morning. Both shows run through Labor Day, September 2nd.

Sunday morning coffee

07 Sunday Jul 2013

Posted by Keith Muchowski in Film, Sound, & Photography

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Midway Plantation

It is bright and early Sunday morning. I am off to Governors Island in a few minutes. It will be interesting to see how many people come out on what will be a steamy July day. It was so hot yesterday that I stayed in the house and watched the Gettysburg coverage I missed earlier in the week. I also re-watched Moving Midway, Godfrey Cheshire’s film about the moving of his family’s antebellum plantation. If you have not seen it, I recommend. Here is my review from a year or two back. Enjoy your Sunday.

My wife and I watched an extraordinary film last night called Moving Midway.  Midway is a plantation built in 1848 on land bequeathed to the Hinton family of North Carolina decades prior to the American Revolution.  Concerns over urban sprawl led the current owner, Charles Hinton Silver, to a dramatic decision in 2003: he would literally lift the house from its foundation and move it several miles across country to a more secluded spot.  The undertaking is documented by his cousin Godfrey Cheshire, a New York film critic who grew up in a Raleigh and cherishes the memories of his boyhood visits to the place his mother called “out home.”

Cheshire discovered something unexpected halfway through the project—he has over one hundred African American relatives.  Here the film takes a dramatic turn.

Cheshire is aided by Robert Hinton, a professor of Africana Studies who also grew up in Raleigh and whose ancestors were slaves on Midway Plantation.  The two did not meet until the relocation project was underway but share an immediate rapport.  Struggling to make sense of it all Hinton confesses to Cheshire that, “This would be easier if didn’t like you.”  Still, the underlying tension is at times palpable.  Robert and Godfrey do not appear to be themselves related.

Both men struggle with their identity.  Professor Hinton explains that he has always been conflicted between his African American and Southern identities, with the Southern often winning out.  He also recounts that as a young college student in the 1960s he felt more comfortable in the presence of white graduate students than the Black Power crowd he briefly embraced.  Cheshire’s struggles are only beginning, as he explores the implications of the complicated story for himself, his family, the region, and even the nation itself.  He concludes that the only way to see the South today is as a mixed race society.

Moving Midway is many things: a meditation on the meaning of home; an exploration of family; an examination of American history; and even a short course on cinematic history.  (As a film critic Cheshire is well positioned to examine the Moonlight and Magnolias version of the Plantation South offered up by Hollywood during the years of the Studio System.)  Above all it is an example of what some call courage history, the willingness to look closely even at the people and things we love and ask the difficult questions.

I could go on but won’t.  Moving Midway is available on dvd and Netflix.

Bruce Catton, Michigander

05 Friday Jul 2013

Posted by Keith Muchowski in Writing

≈ 2 Comments

Bruce Catton 1960sA small vignette about Bruce Catton passed through my inbox that I thought I would pass along. It is adapted from a Michigan State University book called Ink Trails: Michigan’s Famous and Forgotten Authors. It is not clear from the excerpt how long the piece was in the original. I find it interesting that Catton would be included in a collection about writers from a particular state; being from the Midwest certainly influenced his worldview, despite the number of decades he lived in Washington DC and New York City. It is revealing that he went back when it was his time to die. His boyhood house in Benzonia is now the home of the local public library.

As I have noted in the comments sections of other blogs, there has been a lot of piling on to Catton in recent years. Some of the criticism is fair. For one thing, he downplayed slavery as a cause of the war in an effort not to offend a portion of his readership. Reconciliation was what 1950s readers wanted and that is what they found in Catton’s offerings. He was also unfair to certain players, most especially George McClellan. Your humble writer remembers visiting Antietam for the first time a few years ago and pronouncing to our licensed battlefield guide that the Federals should have taken Burnside’s Bridge with no problem. It was not until our guide took us there that I realized that, well, it was not as simple as I had read in the Army of the Potomac trilogy. I consider it a teachable moment, with the lesson in humility duly learned.

I no longer read Catton but I still believe there is much there for readers to enjoy and profit from. One would have to balance out Catton’s lyrical prose with the more recent scholarship of Ethan Rafuse, Tom Clemens, the interpretive ranger staff at Antietam, and elsewhere to get a fuller picture of the war. In American Oracle David Blight has an especially lucid chapter on Catton‘s strengths and weaknesses. Whatever his failures, there is no denying the man’s writing talents and his influence, for better and worse, on our understanding of our civil war.

(image/Bruce Catton in the 1960s, LOC)

Made in the USA?

03 Wednesday Jul 2013

Posted by Keith Muchowski in National Park Service

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made-in-americaI am not sure how I feel about this, but two congresspersons from New York have introduced legislation that would make it mandatory for all merchandise sold at National Park Service and other sites to be made in America. Part of me is dismayed when I see items on sale at a historic site that are made outside the country; another part of me takes it in stride as a reality of contemporary life. I am not looking for authenticity in my keychain; that comes from the site itself. It is difficult to tell at this stage if this is a bit of political grandstanding or if it is intended to go anywhere. If it is the latter, I hope they think it through. I would not mind seeing a lot of the cheap trinkets gone from the shops of our various cultural institutions, but who know what worthwhile may get excluded if such legislation were to pass? It seems there are many considerations to work out. The way I understand it, superintendents at the over 400 national parks and monuments currently have the authority to select what can be sold in their Eastern National stores. More guidelines could take away their flexibility and autonomy. It will be especially interesting to see how this one turns out with the NPS centennial just three years away. This is a story I will be following.

The Civil War in my life

01 Monday Jul 2013

Posted by Keith Muchowski in Civil War sesquicentennial, Gettysburg, Memory

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Alexander Gardner image of Antietam’s Sunken Road

I wrote the piece below for the Antietam 150th and decided to republish it today for the anniversary of the Battle of Gettysburg. Between now and 2015 I will probably re-post it yet again for the remaining major milestones of the war. It is hard to believe that the sesquicentennial is more than half over.

Today is the 150th anniversary of the Battle of Antietam, the bloodiest day in American history. Last night my wife and I were watching some of the C-SPAN and other coverage, which led to a conversation about the Civil War’s role in my life. Some things have the ability to captivate us always. My list includes the Beatles, New York City, Elvis, both World Wars, Rod Serling’s The Twilight Zone, Sinatra, and the American Civil War. Don’t ask me to explain; how does anyone know from where in the human imagination such interests arise? Now middle-aged, I have nonetheless reached that point where I am so removed from the events of my younger days to see where the roads turned. For me, the Civil War path has taken several twists.

The first was when I was ten and my uncle gave me a book of Matthew Brady photographs. I was too young to pick up on at the time but the book was a reprint of Benson J. Lossing’s History of the Civil War. Thankfully I was also too young to read the dense prose. If I had I might still be influenced by its early 20th century take on the War of the Rebellion. It was something like the Time-Life books about the Second World War many people had in their living rooms in the 1970s and 80s. Fun to look at, but not especially reliable. Still, the Civil War photo were captivating, especially to a latchkey kid whose parents had uprooted him from his home in Connecticut and transplanted to Florida before divorcing two years later. I lost the book over the years until seeing it again for $10 in a Border’s a few years ago. I shelled out the money but eventually gave the book away, worried about the accuracy not just of the text but even the captions on the photographs themselves. For starters, we now know that many “Brady” photos were actually taken by Alexander Gardner, Timothy H. O’Sullivan, or other members of Brady’s studio. The captions on old photographs are often wrong as well. I have read my Frassanito.

I got away from the Civil War during my high school and college years but had my interest piqued again when Ken Burns’s documentary was released in 1990. It is a dramatic film, beautifully choreographed, that inspired many of us to delve more into the literature. This in turn led me to purchase Bruce Catton’s American Heritage Picture History of the Civil War when it was re-released with updated maps, art work, and photographs in 1996. At this time I was going to graduate school and working fullltime at a large chain bookstore to make ends meet. Often I worked until midnight and came home too wound up to go to sleep immediately. I would sit at my tiny kitchen table eating my 1:00 am dinner and reading Catton’s lyrical prose. I was still too young and unaware that Catton was part of any historiographical “school.” Ironically, I never took a Civil War class in either grad or undergraduate school. This is especially unfortunate because I did my undergraduate work at the University of Houston and could have studied with Joseph Glatthaar.

The next turn came with the release of Tony Horowitz’s Confederates in the Attic in 1998. Many readers enjoyed it for its anecdotes about the levels of farbiness one finds at Civil War reenactments. What I most took from the book though was how little we know about the war, despite the tens of thousands of books written on the subject. Self serving regimental histories. Lost Cause mythology. The foggy memories of aging veterans visiting the battlefields of their youth. Flaws in the Official Records of the War of the Rebellion. It was all new to me. It was (and is) terrifying also to think that everything one knows about something could be wrong. Even worse is realizing that there might be no way ever to know the full story of something, even by extension one’s own life. The next year I visited Shiloh for the first time when I went out to visit my dad. Other than a quick one hour stop at Fredericksburg in 1997 when I got off the freeway during my move to New York, I had never visited a Civil War battlefield before. After that we visited Pea Ridge, Vicksburg, and Shiloh again. This is where I became fixated on the myths and memory of the war.

In 2008 I visited Gettysburg for the time, and the following year I went back with the woman who became my wife a few months later. That year we also went to Sharpsburg in what has become something of an annual pilgrimage. There is no substitute to walking a Civil War battlefield. On that same trip we also visited Harper’s Ferry on what was the anniversary year of John Brown’s raid. This got me thinking harder about the sesquicentennial and the opportunity it presented to think harder about American Civil War and its place in our history. I never romanticized the Civil War–and I was certainly never a Lost Causer–but I believe I think more critically and less sentimentally about that conflict than I might have when I was younger. This in turn led to another path, the one I am on now, where I started this blog to make the leap from buff to serious writer. I feel I am now finding my niche, which include the Civil War in New York, and Civil War veterans in the Gilded Age among other aspects.

In a nutshell that is the Civil War in my life. Last night, looking at the images from over the weekend on the Antietam NPS Facebook page, I couldn’t help but wonder how many of the children taken to the event by their parents will become captivated by this tragic event in our history. Some will forget almost immediately, but years from now others will look back on the commemoration of 2011-2015 as the spark that started it all.

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