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Category Archives: Film, Sound, & Photography

A Rod Serling Christmas

17 Monday Dec 2012

Posted by Keith Muchowski in Film, Sound, & Photography, Rod Serling

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Carol_for_Another_ChristmasI do not own a television and so could not have watched anyways, but last night Turner Classic Movies aired Rod Serling’s A Carol for Another Christmas. I know a fair amount about Rod Serling and the Twilight Zone, but my first thought when I read about this was: Rod Serling once made a tv movie called A Carol for Another Christmas? Indeed he did, in 1964 to be exact. Maybe I am wrong–it was over 25 years ago–but I do not recall any reference to this in the well-thumbed copy of Marc Scott Zicree’s The Twilight Zone Companion that I carried around in high school. According to the movie’s Wikipedia page–yes, it warranted its own Wikipedia page–the film aired on December 26, 1964 and was subsequently put into the vault.

Serling covered the Christmas theme a few years earlier on Twilight Zone, when Art Carney played a skid row Santa in Season Two’s “The Night of the Meek.” I’ll be pulling out my box-set over the next few days to watch that one as I do every year around this time.

Serling was involved in many projects in the decade after TZ and before his 1975 death; Night Gallery, Liar’s Club, and Planet of the Apes are three that come to mind. It is no secret that Serling was looking beyond TZ during its final  season, but I find it interesting that Serling did this in 1964, the same year Twilight Zone ended its five-year run. How such a project could be sitting in the can for nearly half a century is beyond me. For one thing it starred Peter Sellers, Sterling Hayden (The Godfather; Dr. Strangelove, with Sellers, Eva Marie Saint (North by Northwest; On the Waterfront), and other notables. Henry Mancini did the score. Hollywood lined up to work with Rod Serling.

Who knows, maybe the film was a turkey and was justifiably consigned to the dustbin of history. If nothing else though, it would deserve to be remembered as both an artifact of the Cold War and part of the Serling catalog. Viewers will have one more chance to find out for themselves when TCM re-airs A Carol for Another Christmas on Saturday December 22nd.

Happy Holidays.

Bigger than the Titanic iceberg

13 Thursday Dec 2012

Posted by Keith Muchowski in Film, Sound, & Photography

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General James A. Garfield

General James A. Garfield

You may or may not have been following the recent story regarding the auctioning of a photograph thought to be the iceberg that sunk the Titanic. (Did you get all that?) The sale is apparently still ongoing, but does end today. Here are the details.

As it turns out the same auction house, RR Auction, is also selling a cache of Civil War photographs and documents. This collection of American Civil War iconography is rare enough to be be making news across the pond. Lee, Grant, McClellan, Jeff Davis, Sumter’s Robert Anderson, and James Garfield are just a few of the notables on the block.It is indeed a stunning trove that you can check out for yourself. Yours truly will not be bidding, but it is fun to window-shop. Enjoy.

(image courtesy RR Auction)

Holiday Inn

03 Monday Dec 2012

Posted by Keith Muchowski in Ellis Island, Film, Sound, & Photography

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Irving Berlin, 1906

Irving Berlin, 1906

The Hayfoot and I put up our Christmas tree last night. Tonight we watched Bing Crosby and Fred Astaire’s Holiday Inn, which  neither of us had ever seen before. I learned my lesson last year when we missed out entirely on Christmas movies because of the Long Wait from Netflix. As it turns out  the queue for Christmas flicks gets longer the closer you get to December 25. Who knew? This year I was determined to learn from this experience and began ordering early. As I said I had never seen Holiday Inn before. I feel there is so much about about our culture I missed along the way, and that I am now playing catch up. Not such a bad feeling. It is probably just as well anyways. Most of our popular culture was geared toward adults in a way it is not today. A great deal of the film, and the milieu  that it came from, would have been lost on the my younger self anyway. That goes for the songs of Crosby and the dancing of Astaire as well.

When I was a volunteer in the Interpretation Division I often spoke to visitors about immigrants who passed through and eventually went on to bigger and better things here in America. One of them was Irving Berlin. born Israel Isidore Baline in Russia in 1888. Ironically it was primarily immigrants, many of them Jewish, who gave us the Great American Songbook. The songwriter probably was not dreaming of a White Christmas in Tyumen as a youngster. Our favorite scene was Lincoln’s Birthday number, sung in blackface no less. I have come never to be offended by such things; for better and for worse they are part of our culture and history. Never run away from the truth.Fascinating on so many levels. The Fourth of July number, with its lyrics about the Four Freedoms and images of FDR and American servicemen, are reminders that the film was released in 1942 as the United States was entering the Second World War in case you missed the point. If you haven’t seen there’s still time, and I am going to drop it back in the mailbox tomorrow morning.

(image/Life)

Bon weekend

30 Friday Nov 2012

Posted by Keith Muchowski in Film, Sound, & Photography

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I am sorry about the lack of posts this week. This week I got caught up putting the final on a few projects, which left little time for anything else. A friend came to my office earlier today and asked if I wanted to see Lincoln again tomorrow, to which I gave a big yes. The Hayfoot and I had actually planned on going to the big screen this week, but things got away from us. I think she wants to see Daniel Day-Lewis again in December.

The Civil War on film is a topic in and of itself. There is no doubt in my mind that Spielberg’s Lincoln join D.W. Griffith’s Birth of a Nation and Margaret Mitchell’s Gone with the Wind in our canon of popular culture. It is certainly the event so far of the sesquicentennial, and I don’t see anything supplanting it between now and 2015.

People have been asking me how true to events the Lincoln film is, to which I always answer “Don’t worry about it.” It is a feature film, not a documentary. Asking or expecting a movie to be true to life is asking too much. Just go see it and enjoy. Then, if you are interested, delve into subject. The film gives a lot to think about, but it’s not spinach. Artistically and creatively it is fully realized and should be experienced in a theater surrounded by others. See it while you can.

Secession, 2012 style

12 Monday Nov 2012

Posted by Keith Muchowski in Film, Sound, & Photography

≈ 2 Comments

The Hayfoot and I just got back a few minutes ago from seeing Spielberg’s Lincoln, followed by a quick bite in Greenwich Village. It is too late in the day for a more thoughtful response, which I will post in due time. The show answer is that you must see it. I am sitting here in the dark checking my email before bed when, lo and behold, I find this little tidbit in my inbox. Modern day threats of secession are nothing new; we saw them during and after the presidential elections of 2004 and 2008 for one thing. What is new, as far as I can tell, is that the Texas secession petition passed today requires a presidential response because it reached the required 25,000 signatures. Have I said it has been a long day?

“the Lincoln Memorial led me to Gettysburg”

25 Thursday Oct 2012

Posted by Keith Muchowski in Film, Sound, & Photography

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Photographer Annie Leibovitz was in Gettysburg yesterday for the opening of her exhibit at the GNMP Visitors Center. She even got to spend the previous night at the Sherfy House on the battlefield. Her latest show is called Pilgrimage, and is based on a book of the same name. The last several years have been difficult for Leibovitz, with the death of partner Susan Sontag and financial reversals that cost her a great deal of money and aggravation. In something of a rut, she assessed what if most important to her and how she wants to move ahead by looking back; from that came this exhibit. For Leibovitz taking stock meant visiting places of historical and natural significance here in the United States and abroad that meant something to her personally. One of the drawbacks to being a commercial photographer, even a gifted one, is that too often the emphasis is on the adjective at the expense of the noun. Subjects in Annie Leibovitz: Pilgrimage include Graceland and Monticello, Eleanor Roosevelt’s Val-Kill, Old Faithful, Thoreau’s Walden Pond, and Niagara Falls to name a few. Walking the Peach Orchard and Devil’s Den must have been something for someone as knowledgable about the history of photography as Leibovitz. Certainly she knows her Gardner and Brady. Ansel Adams’s studio had been another stop on her pilgrimage.

It is good to see her getting back to work like this. Her talents had stagnated over the past decade. The celebrity photo shoots had become exponentially less relevant while the spreads themselves had grown increasingly outlandish and gratuitous. Seemingly gone were the simple images such as those of John Lennon and Yoko One taken in December 1980 with which she had made her reputation. Pilgrimage is a return to simplicity for the photographer, who turned sixty-three earlier this month. The exhibit will be on display in Gettysburg through January 20, 2013 before moving to other cities.

(image/Robert Scoble)

Lincoln’s voice

14 Sunday Oct 2012

Posted by Keith Muchowski in Film, Sound, & Photography

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So often when we see/hear Lincoln portrayed by an actor, Abe comes across as past James Earl Jones, part King Lear. I suppose we have been conditioned to think that the Gettysburg Address came out that November day sounding like the Sermon on the Mount. It is well-documented, however, that Lincoln had a pitch-piteched nasally twang. Daniel Day-Lewis, somewhat defensively, recounts trying to get the sixteenth president’s voice correct.

(Hat tip the Hayfoot)

Spielberg in Gettysburg; Lincoln at Lincoln Center

09 Tuesday Oct 2012

Posted by Keith Muchowski in Film, Sound, & Photography

≈ Comments Off on Spielberg in Gettysburg; Lincoln at Lincoln Center

Update: The New York Film Festival, celebrating its 50th year, is always a tough ticket. Never was this truer than last night when a sold out audience at Lincoln Center’s Alice Tully Hall enjoyed a secret screening of Lincoln. The film opens nationwide on November 9th.

We have been looking forward to Stephen Spielberg’s Lincoln biopic in our house for some time, not least because the Hayfoot has a thing for both Abe and Daniel Day-Lewis. Apparently the film has been sitting in the can for some time, since spring. From what I understand the director waited for a late November release because he did not want the film to influence the presidential election in any way. At first I though this was silly, but the more I thought about it the more it made sense. Intentionally or not–and it is too good a marketing angle to think it was not a factor the decision of when to release–a November opening also means that the film coincides with the anniversary of the Gettysburg Address. This year Spielberg will be the keynote speaker at this year’s Dedication Day ceremony on November 19th.

(image/Daniel Day-Lewis as Lincoln)

Spielberg in Gettysburg

04 Thursday Oct 2012

Posted by Keith Muchowski in Film, Sound, & Photography, Uncategorized

≈ Comments Off on Spielberg in Gettysburg

We have been looking forward to Stephen Spielberg’s Lincoln biopic in our house for some time, not least because the Hayfoot has a thing for both Abe and Daniel Day-Lewis. Apparently the film has been sitting in the can for some time, since spring. From what I understand the director waited for a late November release because he did not want the film to influence the presidential election in any way. At first I though this was silly, but the more I thought about it the more it made sense. Intentionally or not–and it is too good a marketing angle to think it was not a factor the decision of when to release–a November opening also means that the film coincides with the anniversary of the Gettysburg Address. This year Spielberg will be the keynote speaker at this year’s Dedication Day ceremony on November 19th.

(image/Daniel Day-Lewis as Lincoln)

 

 

From Brooklyn to Harlem

15 Tuesday May 2012

Posted by Keith Muchowski in Film, Sound, & Photography, Genealogy

≈ Comments Off on From Brooklyn to Harlem

The transition from Brooklyn to Manhattan has been a subject of novelists, filmmakers, and essayists for well over a century. The culture shock that can overtake a person with such force was especially marked in the twentieth century, before gentrification came to our fair borough and rendered us bridge and tunnelers more like our cousins across the river. This is not to say that the shock does not exist even today; nothing will ever replace or equal Manhattan. Pete Hamill, Woody Allen, and Alfred Kazin are three artists who captured the confusion, joy, and wonder that inherently come with leaving behind the old neighborhood and everything you know to find your place in the Big City. Filmmaker Monique Velez is making  a documentary about the move from Brooklyn to Manhattan. In her case, however, the story begins in tiny Brooklyn, Alabama where her great-grandmother Lucille lived before coming to Harlem during the Great Migration. I have been following the evolution of this project for some time, and am happy to report that things are moving steadily. Velez was in Alabama filming earlier in the spring and is now getting ready to shoot in New York. Ironically, she is part of the reverse migration in which African Americans are moving back to the South; Velez was born in New York and now lives in North Carolina. Watch the trailer. This should be something special. I will be certain to announce when the film is released.

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